Next Fall by Geoffrey Nauffts, Speakeasy Stage, Roberts Studio Theatre at the Boston Center for the Arts, 9/15/11-10/15/11, http://www.speakeasystage.com/doc.php?section=showpage&page=nextfall.
Reviewed by Becca Kidwell
“Be not angry that you cannot make others as you wish them to be, since you cannot make yourself as you wish to be.” Thomas à Kempis
(Boston, MA) Moments pass in a heartbeat. All that’s left is waiting…waiting in hope…waiting in fear; the only choice is waiting together or waiting alone. Next Fall by Geoffrey Nauffts does not try to moralize or condescend; it leaves its audience with the hope that love will transcend all differences. The friends and family of the comatose Luke see the world through different viewpoints but connect at the core of their being–in love.
Adam, played by Will McGarrahan, begins to flashback to various moments in his relationship with Luke. Casual flirtation leads to a lasting relationship–but not without conflict. Luke (Dan Roach) is a fundamentalist Christian and Adam is an atheist. Adam questions Luke’s devoutness. Luke questions Adam’s unbelief. Luke delays telling his parents about the relationship until it’s too late. Read more “Next Fall: Once Upon A Theatre Critic”
His Girl Friday by John Guare, adapted from The Front Page by Ben Hecht/Charles McArthur & Columbia Pictures Film, Trinity Repertory Company, 9/9/11-10/9/11, http://www.trinityrep.com/on_stage/current_season/CAB.php.
Reviewed by Becca Kidwell
(Providence, RI) John Guare lends his wry wit to his newest creation: His Girl Friday. With the talented cast, masterful direction, and clever design, the pre-World War II press room. With the black and white realities mixed in with the comedy, the play shines a light on the present ambiguities of justice, media manipulation, and political diversion. Read more “His Girl Friday: Once Upon A Theatre Critic”
From the start of the Antony and Cleopatra, Kate’s performance is filled with passion and abandon. Running in bare-footed with a sword, anyone who has seen many of Ms. Mulgrew’s performances realizes this is not the calm, controlled persona of Kathryn Janeway, Elizabeth Seton, or Janet Eldridge. Cleopatra is a woman who is one of the most powerful rulers in the world and yet is controlled by her lustful appetite for a man who can never be completely hers: Antony. Her strength and vulnerability are played out in her faithfulness to Antony and her jealousy of Antony’s wives. Her performance evokes lust, humor, rage, sensuality, and pathos that compel you to be drawn into her plight. The energy that she puts into her performance meets and sometimes exceeds some of the soldiers and dancers and does not stop until the snake kills her. With the wildness of her character combined with a beautiful long flowing wig and voluptuous costumes, she appears more youthful and free than some of her roles from twenty years ago (if only we all could “youth-en” in that way!). I hope we continue to get to see her versatility as the years go on. As for the actress herself, Ms. Mulgrew was extremely gracious after running around for three hours to take the time to sign my program and allow me to thank her for her magnificent performance as well as her previous work. Read more “Anthony & Cleopatra: Once Upon A Theatre Critic”