My new production company, Sparkly Unicorn Productions, presents a cabaret benefit for Mariska Hargitay’s Joyful Heart Foundation at Don’t Tell Mama NYC
This celebration of love, life, joy, and home to help end domestic violence forever features (l to r top row) Musical Director-Tracy Stark (MAC & Bistro Award Winner), also Carole Demas (original Sandy in Grease, Bistro Award Winner), Eve Eaton (MAC Award Winner), Meg Flather (MAC & Bistro Award Winner); (l to r second row) Sean Harkness (MAC & Bistro Award Winner), Becca Kidwell (MAC Award Nominee), Lina Koutrakos (MAC & Bistro Award Winner); (l to r third row) Sue Matsuki (MAC & Julie Wilson Award Winner), Tanya Moberly (MAC & Bistro Award Winner), Erick Pinnick (A Christmas Carol-Broadway); (l to r fourth row) Sarah Rice (original Johanna in Sweeney Todd, Bistro Award Winner), Marcus Simeone (MAC & Bistro Award Winner), Lisa Viggiano (Bistro Award Winner, MAC Award Nominee), Kristine Zbornik (MAC & Bistro Award Award Winner)
It is truly a night not to be missed!
$30 and a two drink minimum, CASH ONLY
Don’t Tell Mama NYC, 343 W 46th St, New York, NY
More info about The Joyful Heart Foundation: http://www.joyfulheartfoundation.org/about-us/our-story
‘A Number’ of Sons
A Number by Caryl Churchill, Whistler in the Dark, The Factory Theatre, 1/20/12-2/4/12, (in repertory with Fen by Caryl Churchill), http://www.whistlerinthedark.com/productions/wantedsomething.html.
Reviewed by Becca Kidwell
(Boston, MA) If you were/are a parent, what would you do if you had a chance to fix the mistakes you made raising your child? As a child, what would you do if your parents told you that you were not their original child, but a new, improved version made to fix the mistakes they made with their first child? Caryl Churchill’s play, A Number deals with a controversial matter: cloning. Since the Dolly the sheep was cloned in the late nineties, fear and wonder has surrounded the possibility of cloning a human being. This play speculates on what might result from such a procedure and the repercussions of such a decision upon a father and his son. Read more “A Number: Once Upon A Theatre Critic”